About VSP
Timeless Silhouettes,
Timeless Materials.
A Parisian house working in advanced contemporary, with in-house production at every stage. Our work follows a single, considered line, built on cut, material and restraint.
The Style
Subdued palettes. Architectural volumes. Leather, shearling and considered weaves drawn through soft, resolved silhouettes. The VSP wardrobe is composed, not styled. It is intended to be inhabited rather than performed.
The Perspective
We design for permanence rather than the moment, in fabrics that age well and in proportions that do not ask to be explained.
Our Philosophy
Timelessness, at VSP, is a method. Each piece is engineered to hold across years through balanced proportions, considered weight distribution, and seams whose geometry resolves through repeated wear. The reference is structure, not season. A garment passes when its construction holds without correction.
VSP was founded in Paris in 2006 by Kadri Soygül and Coşkun Kutbay: a designer and a maker bound by the conviction that the discipline of making should precede the idea of a brand.
The house operates today as it began. Under the creative direction of Kadri Soygül and the vision of Coşkun Kutbay, every collection is developed and produced in-house. Artisanal craft placed in careful dialogue with technical evolution.
Serfaty, 1997
A Shaping Voice: Yohan Serfaty
The late Yohan Serfaty shaped VSP's earliest sensibility through his work in leather, where he introduced a feminine register: drape, softness, and a proximity to the body the material had rarely been asked to carry.
VSP took this same approach into shearling, where it has since become one of the most recognizable signatures of the house. We remain grateful for his vision.
VSP is produced entirely in-house, by hand. We prefer the patience of the atelier to the rhythm of the season; patterns are cut and re-cut until they resolve, seams finished because finishing matters. Structure remains invisible. A garment is only as good as its interior.
Material is not a surface on which design happens. It is where design begins. Each hide and each shearling skin is selected individually, read by hand for weight, grain and drape.
Our shearlings are drawn from two distinct traditions. Toscana shearling, tanned in the Arno Valley, carries a dense, lustrous curl and a supple nap. Its wool is long enough to sculpt volume, short enough to hold line. Merino shearling, by contrast, offers a finer, closer pile with an almost velveteen surface and a warmth that sits weightlessly against the body. We pair them with intent: Toscana for architectural coats and sculpted outerwear, Merino for pieces that move closer to the skin.
Leather, for us, is never a finish. It is a living surface that takes on the grain of use, softens at the elbow, deepens in tone where hand and light most often fall. No two hides behave alike; none are corrected to disguise it. That particular character is precisely what we select for.
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